Showing posts with label Hipsters. Show all posts
Showing posts with label Hipsters. Show all posts

Tuesday, December 1, 2015

When I went to college

When I went to college, Carroll invited our parents to come for an orientation. My dad went because this sort of thing falls under his purview of responsibilities. Not a dis on my mom, but not her thing. My dad told me after that they had a rape orientation which was essentially, Catholic school, door open, feet on floor, which much like abstinence only education is fool proof, and they warned our parents that a lot of kids have trouble with the close quarters in the beginning. This was promptly followed by a tour. Now, I too had the rape lecture and found it as useless as my dad, but his response to the dorm living I’ll never forget. He said to the tour guide, my girls (J and myself) share a room not even half this size. It was true. J and I shared a ridiculously and comically small room growing up. It really prepared us for living in a surveillance state because there was no privacy. When I moved to DC I had a closet larger than my childhood bedroom—I measured it, because that is something I’m neurotic enough to do. I didn’t actually have my own room until I moved out of the dorms my senior year and into a brothel (not really, but according to the restrictions in South Euclid, houses with more than 3 unmarried women…).

My parents’ home is one floor located about half way down our street (our current vacant lot count is 18); growing up it was always white, inside, outside, all the walls, white, always white. It didn’t have a basement just a crawl space or much of an attic, which was only accessible through a trap door in the hallway ceiling. A hallway that two people can’t really fit side by side in, which I’ve mentioned before and completely responsible for my sisters and my belief that basketball should be a full contact sport. I’m trying to paint a picture here of simple, and that word is important because of an article I read last week talking about the appropriation of poverty. We were working poor and by no means that bad off. My parents put us through private school so we could go to college, and while I don’t know if it was their intention without Trinity I would never have been able to assimilate into Carroll or the rest of my life and not just because of the Catholic part. Trinity was a college prep school, and with its shortcomings, and there were some, Trinity taught us how to pass with kids who there was never any questions about whether they’d attend college. Trinity gave me the patience women stereotypically have and along with those shortcomings the realizations that there are consequences for everything and the price is pretty steep for people who don't intrinsically belong. 

The article, “The troubling trendiness of poverty appropriation” by July Westhale published on the Establishment, left me with a lot of feelings and thoughts. Westhale and I have very different experiences, and her’s definitely lends itself more to the “simple living” trends, but mine, well mine is the gentrification that displaces and erases poor people, mostly poor people of color from urban neighborhoods. Westhale says, “And it’s not the Tiny House Movement that incites my discontent. From dumpster diving to trailer-themed bars to haute cuisine in the form of poor-household staples, it’s become trendy for those with money to appropriate the poverty lifestyle—and it troubles me for one simple reason. Choice.” Preach. The article is broken out into three major sections: space/things, entitlements, and food.

Women in general are hyper aware of space, please see manspreading for more information. Women are told not to take up space by everything, and poor women should take up even less after all they haven’t earned it. So when people start talking about wanting to living small spaces or take back spaces relegated to the poor what they are saying is I can choose this and those people still don’t deserve space. It has always been this way; the poor living on top of each other in tiny spaces slums, “ghettos”, trailer parks, or even further back the tenements. As for things, when you think back to being a kid, think back to saving for something, remember saving your allowance or birthday money or whatever, and then you buy whatever it is, and it is just stuff, a thing, which can’t make you happy or anything, but it is yours. That is kind of what poverty is like. So everything you have you had to earn. People don’t think about that when they think about the poor. We think people with money earn things, but people who always have access just have things; they don't earn things. Things and space are the right of the those in privilege. 

Westhale also shares an anecdote about hipsters rejecting capitalism through welfare. Once in Portland I became so irate with the idea that people would suggest people who could work, white, educated people who could obtain jobs without the same biases people of color and the poor have to face, who opt out, that I yelled at friends and strangers alike. I was not at my healthiest mental state. I yelled about how block grants get fixed sums of money and when the money is gone most states don’t comp the people it won’t cover. Really, hipsters are taking welfare from poor people; this is the reason to hate hipsters. I still want to hit something. It isn’t just hipsters in Portland who join welfare to opt out of capitalism. A group of people I deeply respect participate in “voluntary poverty,” and as I told them, there is nothing voluntary about poverty. If you can opt in you can opt out again. They don’t use welfare to counter their costs, and they see it as participating with the population they serve. See for real people, poverty is super expensive. It is juggling bills and late fees with what gets paid this month, or opting for a parking ticket instead of paying for parking because you don’t have the cash now, and the ticket won’t be due till after you get paid. Being poor comes with a ton of fees. Opting out of capitalism is like opting out of the patriarchy. It isn’t possible, and if someone does think they are doing it they are blinded by their privilege.

Finally, the food. I love fast food fries. As a kid my dad and I had a rating system. See I’d go with him to get takeout usually on Fridays, and we’d rate fries by whether they required ketchup. Really good fries like Red Barn (Slavic Village, what!) fries required little to no ketchup, but Burger King fries need ketchup, all the ketchup. But poor people food isn’t just fast food, through it is a lot of it, right? You can tell what kind of neighborhood you’re in by the fast food places…Popeye’s, you know where you are compared to a Panera. You don’t even need to think about the actual amenities of these places like the bullet proof glass that separates your server from you in some take out places in the hood or accidentally ordering drugs through a drive thru.  But kidding aside, I can’t eat peanut butter. Westhale talks about rice, but for me it is peanut butter. I don’t know why. I mean we ate it all the time in school. It got to the point where I would only take carrots for lunch because I couldn’t eat the peanut butter. My mom and dad still eat peanut butter sandwiches for lunch every day, every day. My maternal grandma (Nanny, as we called her) couldn’t eat pumpkin. There were times when it was the only thing they had to eat during the Depression so she refused to eat it later in life. And this is the side of things where you consume something so much you can’t anymore, let’s talk about exposure. I never had eggplant, mushrooms, a variety of foods that either my mom didn’t like or didn’t know how to prepare. I remember the first time I ate a kiwi, and the first time I ate a mango. Surprise, poor people don’t have access to a full range of foods or any idea how to prepare some of it. I still have no idea how to prepare eggplant. No clue, and I have the internet. That said mushrooms are gross and always will be. *shudder*

I’m torn on how to end this post because Westhale ends with this quote, “Because, let me tell you, there is nothing simple about being poor.” Truth. Being poor is hard. People have some idea that it is easy or poor people are lazy, but anecdotally, it has been my experience that poor people have hella work histories. They work all the time. Additionally, they have stress and anxiety and are more likely to suffer from depression and usually don't have access to mental health care. To opt into poverty or opt into poverty appropriation is just a slap in the face and reeks of privilege. That might be it, my big peeve about all this: people I know, me, my friends, worked really hard to get out and pass, and because we were lucky and made few mistakes we did or we didn't (and a lot of us didn't) so when these little privileged kids want to play poor for a minute I want to punch them in the face. They don't want to improve things for those in poverty. Instead these people want to mock the poor, and things that have been part of the impoverished lives. 

Aside: My roommate is studying hipsters, and this quote exemplifies everything:

“It’s but one example of an entire hipster moment—can it be called a movement when it’s a subculture rooted not in political consciousness, but in capitalism?—that has brought with it an ethos of poor-culture appropriation and the “re-invention” of things that have largely been tools of survival for the poor, disabled, working class, and/or communities of color for decades.”

Monday, March 31, 2014

Hipster racism, a refresher


Ok, so let me begin by saying, I came pretty late to the party on this whole Colbert thing, and I’m a pretty big fan of Colbert’s brand of humor. I like the absurd. I also like some of Suey Park’s work. But for me the conversation was lost when it became about Suey Park the person. First, I give zero fucks if Park doesn’t get satire, but I think she does. Second, as white people if people of color are telling us something is racist, then it is probably racist. Finally, those upset by Park criticisms really fall into straight up racist and sexist to fanatical fanboy.

The whole things seem to come from a tweet, which is pretty ridiculous when you watch the actual segment. Someone working at Comedy Central wrote a racist tweet. The handle @ColbertReport wrote “I am willing to show #Asian community I care by introducing the Ching-Chong Ding-Dong Foundation for Sensitivity to Orientals or Whatever.” This is not Stephen Colbert’s Tweeter feed.

I was going to post the clip of the segment, but Viacom...

Yeah, I watched that and cringed. The character Colbert does in the skit is racist; that is yellow face even if it is because some conservative did it first. The segment was supposed to be throwing shade at Snyder’s attempt to prove he’s not a racist by opening a foundation for Native Americans and refusing to recognize the racism of the Washington football team’s name. Satire is defined as using irony, sarcasm, and ridicule to draw attention and dismiss vice, folly, etc. (as defined by Websters). This segment could be satire…I think we should also take a minute to discuss privilege and oppression. Colbert has no place using racism (even hipster racism because its satire) to draw attention to the racism against another group.

This is particularly evident because COLBERT IS A WHITE DUDE! I know you’re shocked. He has a bunch of privilege, and the segment draws attention to a group of people of color who have traditionally been portrayed as the “model minority” and it comes off as an attempt to distract from the struggle of Native Americans who were systematically murdered by our government and now are being dismissed by Snyder. See the oppression is different, damaging on both accounts, but to pretend like all people are color are treated the same is ignorant. This is a decisive attempt by “whiteness” to prevent solidarity building between people of color. That is what I saw when I watched the clip. Colbert’s satire is exactly what “whiteness” has been doing to people of color forever, and I think the argument can be made then that it is failed satire. Keep the Irish and Blacks at each other’s throats on the railroad: they’re taking our jobs. Then the Irish became white, and Jewish people, and it looks like Asian Americans maybe the next group to be assumed into “whiteness”. Now it is immigrants of Central American descent that are the new enemy joining “blackness” in what American society has been trying force race into a binary where white is on one side and black is on the other.

Now, let’s get to the fanboys. You see a lot of people (women too) have been all about how Park didn’t get the joke, well I got the joke, and the joke is racist. It was racist in 2005, and it racist now, and it will be racist tomorrow. The tweet was racist as well, and we give passes to people who make racists tweets in the name of hipster racism because if you remember hipster racism is racism when you say something racist, but then say it was a joke because racists are stupid. But statement is still racist, and you don’t get a pass for acknowledging it after you say it. The fanboys did what they do, they rushed to defend Colbert and Comedy Central because as you know, they are going to be destroyed by this. *appropriate use of sarcasm* Often this defense was shrouded in sexism and racism, which just went to echo the underlining issues with race within the US.

Dr. Brittney Cooper calls out the exact sentiment here from the left and black people in unilateral defense of Colbert because Colbert gives some of the best racial commentary, but that is a reactionary impulse. Read Cooper’s article, it is very good and clear. Remember when you read it Cooper is talking about “blackness” the way I’m talking about “whiteness” as a social construct that only has the meaning we give it, and that does not mean all white people or individual people.

JN and JJ have excellent points as well about Park’s treatment on Twitter and how while they disagree with her argument: the response to her is overwhelmingly problematic. These two are pretty smart so while I’m not sure if we still disagree, their arguments are well thought out. Follow them on Twitter, if nothing else for the funny; I'm pretty sure JN is on some kind of watch list. We, like many people on Twitter, were probably having two different conversations with one another at the same time. (That should really be Twitter’s tagline.)

Saturday, April 3, 2010

Film Fest Movies, 2010!

I should have made this post sooner, but I had a big scary exam on Thursday and it basically ate up my whole week (and my brain).

"Hipsters" is probably the most fun you can have in communist Russia. I would absolutely see that one again and Tim and I agree that it's probably one of the best one's we've seen at the Film Fest, ever. The contrasting colors of the gray, drab dress of the young communists and the hipsters was absolutely stunning, the songs were great and didn't make the movie seem to "musical-y", and the storyline was great. There were even some great moments where the whole theater was laughing.

All in all, I would give it a 4.5/5. It loses .5 because there is a really awkward scene where I had to look at the main character's boobs for too, too long.

"The Last Days of Emma Blank" took some very interesting turns that I didn't really see coming, but I didn't feel like I wasted my money seeing it or anything. It's kind of like if Beckett wrote a movie about a dysfunctional family, so it was obviously pretty great. The entire family is bending over backwards to serve Emma, who is close to death, when they find out there is no inheritance. The reactions of the characters was pretty great and I really don't want to ruin this one in case it shows up on Netflix. Definitely worth the watch.

3.5/5


"A Town Called Panic" was definitely my favorite of the three, though Hipsters put up an amazing fight. I love being in a theater when the entire place is laughing their heads off and "A Town Called Panic" succeeded at this. I think this would actually be a great movie to show in a French class in a high school because they use really simple French and it's kind of a kids film almost. Anyway, the animation was amazing and it was hilarious. Seek this one out by any means necessary. 5/5

Sunday, March 14, 2010

Cleveland International Film Festival!

Ladies and gents, it is time for the film fest again! One day, I'll have the money to see a full two weeks of movies, but for now, we'll be seeing 3 movies again this year next week Wednesday, Saturday and Sunday so get excited for updates!

Here are the films we'll be seeing:

A TOWN CALLED PANIC

An absurd/surreal French stop-motion romp!

http://www.clevelandfilm.org/festival/films/2010/town-called-panic

Parachuting cows, snowball-throwing penguin machines, tidal waves, exploding houses, and pilfering sea creatures. If that doesn’t intrigue you, what else will? Such is A TOWN CALLED PANIC, the imagination-come-to-life of creative masterminds Stéphane Aubier and Vincent Patar. A true adventure story of three improbable plastic friends — Horse, Cowboy, and Indian — this French film cleverly employs the use of stop-motion animation to create a visual playground for adults and children alike. This delightfully odd comedy begins as Cowboy and Indian devise a haphazard plan for Horse’s birthday, in which everything that can go wrong does just that. Inevitably, the three friends lose their house and must journey through a parallel universe to take it back from the sneaky undersea hellions that stole it. Along the way they are continuously met with hilarious obstacles in which both their bravery and resilience are put to the test. A TOWN CALLED PANIC is a film you won’t be able to look away from and its wacky amusement will leave you smiling well past leaving the theater. (In French with subtitles)
Trailer: http://www.youtube.com/watch?v=w3uG8LLuVPQ

HIPSTERS

A Russian musical (!!!) about Soviet kids in the 50's illegally listening to jazz and generally acting like the hip american kids of the time.

http://www.clevelandfilm.org/festival/films/2010/hipsters

A smash success in Russia and winner of top NIKA Awards including Best Film, Best Sound, Best Art Design, and Best Costume Design, HIPSTERS is a candy-colored musical set in the drab Soviet Union of the 1950s. More political than "Hairspray," and way cooler than "High School Musical," it inspired a wave of Hipster parties across Russia. The movie sets to music the story of a strait-laced young Communist party member named Mels. In the midst of a raid on a group of kids caught wearing American-style clothes and listening to jazz, he's smitten with an adorable Hipster named Polly, who sports bright red lipstick and a poodle skirt. Casting caution and his grey uniform to the wind, the newly christened "Mel" barters on the street for a saxophone and a snappy checkered suit with huge lapels, and soon he's cultivating an awe-inspiring pompadour. But as the Hipsters face growing up in Cold War society, they realize that life isn't always a song and dance. (In Russian with subtitles) – B.B.

Trailer (sorry, can't find a subtitled/English one... the film fest site isn't much help either): http://www.youtube.com/watch?v=S5Geb5zO4co


THE LAST DAYS OF EMMA BLANK

A Dutch dark comedy about a dying woman being a royal bitch to all the people around her during her final days.

http://www.clevelandfilm.org/festival/films/2010/last-days-of-emma-blank

Looming like a giant blot on nature, there’s a tar-colored mansion in the dunes of the Dutch North Sea. There, cut off from civilization as well as any sense of reality, a group of sullen servants waits hand and foot upon a despicable tyrant with the no-nonsense name of Emma Blank. Emma Blank has come to the black house to die, and she demands that everyone cater to her every last whim. They must cook incredible delicacies on short notice and stand at attention as she dines alone; they must mix her paints and hold them out for her attentively. Emma Blank insists that her butler grow a mustache overnight and that one servant act the role of family dog. Gradually the relationships among these put-upon servants become clear, explaining why they all can’t wait for Emma to get her dying over with. THE LAST DAYS OF EMMA BLANK is as dark as comedies come, a hilarious and unsettling meditation on mind games and family power struggles. (In Dutch with subtitles) – B.B.
Trailer: http://www.youtube.com/watch?v=OXwbK9duCbE

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